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K-Panda Fever: How Everland Turned Fu Bao Into a Korean National Icon

In 2016, Ai Bao and Le Bao arrived at Everland in South Korea as diplomatic gifts. In 2020, they produced Fu Bao — the first panda born in Korea — and ignited a cultural phenomenon that transformed Korean panda keeping into a national obsession. This article traces how Everland's media strategy, the emotional bond between keeper Kang Cheol-won and Fu Bao, and the Korean public's embrace of 'panda parenting' created the most intense panda fandom outside China.

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Table of contents (6 sections)

Key takeaways

  • 1 Fu Bao was Korea's first panda birth — and Everland's media strategy turned her into a national phenomenon, with daily content that made millions of Koreans feel like they were raising her themselves.
  • 2 The keeper-panda bond became the emotional core of Fu Bao's story. Kang Cheol-won's devotion to Fu Bao — calling her his "daughter," spending years documenting her every milestone — resonated deeply in Korean culture.
  • 3 Fu Bao's impact extended beyond zoology into parenting philosophy, tourism economics, and Korean-Chinese cultural diplomacy — a panda that changed how a nation thinks about care.

K-Panda Fever: How Everland Turned Fu Bao Into a Korean National Icon

Key Fact: In the span of four years — from her birth in July 2020 to her return to China in April 2024 — Fu Bao, the first giant panda born on Korean soil, became arguably the most beloved individual animal in Korean history. Everland’s strategic media documentation, producing thousands of videos and images of her daily life, generated billions of views and created a level of public emotional investment unprecedented in zoo history. Her keeper, Kang Cheol-won, became a national figure — his relationship with Fu Bao so deeply moving to the Korean public that the term “panda parenting” entered the Korean lexicon. When Fu Bao departed for China, 6,000 fans gathered at Everland’s gates in the rain to say goodbye.

Key Takeaways

  1. Fu Bao was Korea’s first panda birth — and Everland’s media strategy turned her into a national phenomenon, with daily content that made millions of Koreans feel like they were raising her themselves.

  2. The keeper-panda bond became the emotional core of Fu Bao’s story. Kang Cheol-won’s devotion to Fu Bao — calling her his “daughter,” spending years documenting her every milestone — resonated deeply in Korean culture.

  3. Fu Bao’s impact extended beyond zoology into parenting philosophy, tourism economics, and Korean-Chinese cultural diplomacy — a panda that changed how a nation thinks about care.

March 3, 2016. A Korean Air cargo jet touched down at Incheon International Airport carrying two giant pandas: Ai Bao and Le Bao, aged three, on loan from China. Their arrival was the culmination of years of diplomatic negotiation. South Korea, one of China’s most important economic partners, had not hosted pandas before. The loan agreement was a gesture of friendship between the two governments — and a significant bet by Samsung C&T, Everland’s parent company, that the investment in panda facilities, estimated at $25 million, would pay cultural and commercial dividends.

On July 20, 2020, that bet paid off. Ai Bao gave birth to a female cub — Fu Bao, 197 grams, pink, blind, and entirely dependent. She was Korea’s first giant panda birth.

What happened next transformed Korean panda conservation from a zoo program into a national cultural movement.

The Media Machine: How Fu Bao Became a Daily Companion

Everland understood, from the day of Fu Bao’s birth, that they were not just caring for an animal — they were producing a story. The theme park’s media team deployed a comprehensive content strategy that treated Fu Bao like a celebrity and her fans like a community.

YouTube: A dedicated Everland Panda World channel posted near-daily videos: “Fu Bao’s First Steps,” “Fu Bao Tries Bamboo for the First Time,” “Fu Bao Meets Snow,” “Fu Bao and Grandpa Kang Play Together.” The videos were professionally produced but emotionally intimate — close-up shots of Fu Bao’s face, gentle background music, captions in Korean with English subtitles. At its peak, the channel had over 2 million subscribers and billions of cumulative views.

Instagram and Blog: Daily photo updates captured moments the videos missed — Fu Bao sleeping in a sunbeam, Fu Bao’s paw prints in fresh snow, Fu Bao investigating a new enrichment toy. The captions were written in Fu Bao’s “voice,” a common Korean social media technique that anthropomorphized the panda without mockery, making her feel like a person with preferences and moods.

Television: Korean networks produced multiple documentary specials on Fu Bao’s life, with production values equal to nature documentaries. The specials drew prime-time ratings and expanded Fu Bao’s audience beyond social media users to the broader Korean public.

The cumulative effect was a form of mediated intimacy unprecedented in zoo history. Millions of Koreans followed Fu Bao’s daily life as if she were a family member. They knew her preferences (she loved apples, was cautious about new toys). They recognized her moods. They celebrated her milestones. They worried when she was sick. They were, in the emotional sense, co-raising a panda.

Kang Cheol-won: The Keeper Who Became a Father

The emotional center of the Fu Bao phenomenon was not Fu Bao herself — it was her relationship with her keeper, Kang Cheol-won.

Kang, a soft-spoken man in his fifties with the weathered hands of someone who has spent decades handling animals, had been a keeper at Everland for years before the pandas arrived. He did not seek fame. He did not perform for cameras. He simply cared for Fu Bao with a devotion that, when documented, moved an entire nation.

The videos of Kang and Fu Bao — him hand-feeding her apple slices, her following him around the enclosure like a duckling, him gently brushing bamboo dust from her fur — became the most-viewed panda content in Korean internet history. The relationship was unmistakably tender. Kang called her “my panda daughter” in interviews, and the phrase, which might have seemed eccentric in another context, felt simply true.

When Fu Bao was scheduled to return to China in early 2024 under the loan agreement’s return clause, Kang volunteered to accompany her on the flight — a 12-hour journey from Seoul to Chengdu. He sat beside her transport crate the entire way, monitoring her condition, speaking to her in the same calm Korean she had heard since birth. At Bifengxia, where she entered quarantine, he stood silently as her crate was unloaded. The photograph of that moment — Kang in his green keeper’s uniform, alone in the concrete loading bay, watching the crate disappear into quarantine — became the defining image of the Fu Bao era.

Did You Know? The scene of Kang saying goodbye to Fu Bao was so emotionally powerful that it sparked a national conversation in Korea about animal welfare, the ethics of captive breeding programs, and whether pandas should be returned to China at all. Some Korean politicians proposed renegotiating the loan agreement to allow Fu Bao to stay — a legal impossibility under the return clause explored in our article on why overseas-born pandas must return to China, but a measure of how deeply Fu Bao had entered the Korean political consciousness.

The Panda Parenting Phenomenon

The most unexpected cultural impact of Fu Bao was not about pandas — it was about parenting. Korean viewers, watching Kang Cheol-won’s patient, gentle care for Fu Bao, began discussing the contrast between his approach and Korea’s high-pressure educational culture, where children face intense academic competition from an early age.

The term “panda parenting” (판다 육아) entered the Korean lexicon: a philosophy of calm, attentive caregiving characterized by patience, presence, and emotional warmth rather than pressure and performance. Parenting blogs and television programs debated “panda parenting” versus “tiger parenting.” Kang Cheol-won, who had never intended to become a parenting icon, found himself cited as a model for a generation of Korean parents seeking a gentler approach.

The phenomenon reflected a genuine cultural need. In a society where birth rates had fallen to the lowest in the world, where the pressures of modern Korean life made parenting seem overwhelming, Kang’s simple, devoted care for Fu Bao offered an alternative vision: parenting as presence, as patience, as showing up every day with apples and a calm voice.

The Farewell and the Legacy

Fu Bao departed Korea on April 3, 2024. The farewell was not a zoo event — it was a national one. Six thousand fans gathered at Everland’s gates in cold spring rain, many weeping, holding signs and Fu Bao plush toys. Korean television networks carried the departure live. The hashtag #FuBao trended worldwide.

The intensity of the farewell surprised even Everland’s media team. They had created Fu Bao’s celebrity — and then could not control its emotional force.

Fu Bao’s legacy in Korea extends beyond sentiment. Her 1,354 days in Korea generated an estimated ₩300-400 billion ($220-290 million) in economic impact. Her parents, Ai Bao and Le Bao, remain at Everland and produced twin cubs — Rui Bao and Hui Bao — in July 2023, extending Korea’s panda story. And “panda parenting” remains a term in Korean cultural discourse, a lasting linguistic tribute to a keeper and his panda.

Frequently Asked Questions

Are Ai Bao and Le Bao still at Everland?

Yes. Ai Bao and Le Bao remain at Everland under their original loan agreement. They successfully produced twins Rui Bao and Hui Bao in July 2023, who will remain in Korea until approximately age 4, when they too must return to China under the return clause.

Will there be more pandas born in Korea?

The birth of Rui Bao and Hui Bao suggests that Everland’s breeding program is functioning well, and future births are likely. However, all cubs born overseas are subject to the return clause — Korea’s panda population is temporary by design, not permanent by accumulation.

What is Kang Cheol-won doing now?

Kang continues as head panda keeper at Everland, caring for Ai Bao, Le Bao, and the twin cubs. He has written a book about his experience with Fu Bao, which became a bestseller in Korea, and maintains a lower public profile than during the Fu Bao era — by his own choice, preferring to let the pandas, not the keeper, be the story.


In the panda house at Everland, Fu Bao’s enclosure remains empty — but it is not abandoned. Korean fans still visit, leaving flowers and notes for a panda who now lives 2,000 kilometers away. The space is not a vacancy. It is a promise: a panda was loved here, and the love outlasted the panda.

Dr. Mei Zhang

Dr. Mei Zhang

Spatial Ecology & Conservation Editor

Spatial ecologist using GIS, remote sensing, and satellite imagery to study panda population dynamics, habitat connectivity, and conservation effectiveness at landscape scales.

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Questions readers often ask

Who is Fu Bao and why is she famous in Korea?

Fu Bao ([福宝](/library/culture/panda-naming-culture-meaning-tradition), 'Lucky Treasure'), studbook #1084, is the first giant panda born in South Korea, to parents Ai Bao and Le Bao at Everland theme park on July 20, 2020. She became a national celebrity through Everland's strategic social media documentation — YouTube videos, Instagram posts, and a dedicated blog following her daily life — and through her profound emotional bond with keeper Kang Cheol-won, who called her his 'panda daughter.' By the time she returned to China in April 2024, Fu Bao was arguably the most beloved individual animal in Korean history.

What is 'panda parenting' and how is it related to Fu Bao?

'Panda parenting' is a Korean cultural term that emerged from the public's observation of how Kang Cheol-won and other Everland keepers cared for Fu Bao — with extraordinary patience, gentleness, and emotional presence. The term was adopted to describe a parenting philosophy of calm, attentive caregiving that contrasts with Korea's traditionally strict educational culture. Fu Bao's keepers became role models for a generation of Korean parents.

How did Everland document Fu Bao's life?

Everland maintained a comprehensive media strategy: a dedicated YouTube channel with daily or near-daily videos of Fu Bao, an Instagram account, a blog, and a series of television documentary specials. The content emphasized Fu Bao's personality — her curiosity, her playfulness, her relationship with her keepers — creating a narrative of Fu Bao as a character with a biography rather than just an animal in an enclosure.

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